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Gothic Revival in U.S. 1830-1860

Italianate Architecture in America (1850’s- late 1890’s)

 
               
Holy Family Church Holy Family steeple  
 

Gothic Revival in U. S. 1830-1860

During the second half of the 19th century, architects in the United States began to lose interest in Greco-Roman Classicism, and to adopt new domestic styles based loosely on medieval and other non-classical forms of building.

The first post-classical styles, beginning in the 1830s,were the Gothic Revival and the Italianate.

Gothic Revival architecture came to America from England about 1830. Its most famous practitioner, English born Richard Upjohn, a cabinetmaker and draftsman, arrived in this country as a young man in 1829. Upjohn's best-known work is Trinity Church in New York City, consecrated in 1846. He designed St. Paul's Cathedral in Buffalo, completed in 1851. His churches and those illustrated in publications like his Rural Architecture (1852), served as patterns for countless buildings throughout the country.

Alexander Jackson Davis was the first American architect to spread the Gothic gospel. He published floor plans and three-dimensional views in his 1837 book, Rural Residences. His design for Lyndhurst, an imposing country estate in Tarrytown, New York, became a showplace for the Gothic Revival style.

Davis's friend and fellow architect Andrew Jackson Downing also promoted the Gothic Revival in his books on "cottage villas" published in the 1840s. The Hudson River Valley, where Downing resided, was the perfect setting for the kind of picturesque, rambling "irregular" designs he endorsed. It was chiefly Downing's book that led to the flowering throughout rural America of some very picturesque wooden Gothic architecture.

The popular Gothic Revival style was used for cottages and villas. Country cottages were popularized by the publications of Andrew Jackson Downing and his landscape architect collaborator, Calvert Vaux.

Defining Features of Gothic Revivial Architecture:

Steeply pitched gable roofs

Wall dormers

Polygonal chimney pots

Hood molds over the windows

Gingerbread trim along the eaves and gable edges

Pointed arches  

 
 
St. Teresa Church St. Teresa Church
 

 

Italianate Architecture in America (1850’s- late 1890’s)


The architectural style known as Italianate first began to appear in England in the 1840's. It was an inspiration from the Italian Renaissance that occurred through the fifteenth and sixteenth centuries. This style had come to North America by the 1850's and had quickly dominated architecture. It lasted in both America and in England up until the late 1890's.

Inspired from the guidebooks of Andrew Jackson Downing, Colvent Vaux, and William H. Ronlette from the Italian villas. It all began as a picturesque movement, a reaction to the classical style that had been used in architecture for the past two hundred years.

Italianate design was to be a rebellion against the earlier classical style that had been used. But in England, all houses and other buildings, had stayed particularly close to one design. In America, however, it had become more original and became indigenous. By the late 1860's, Italianate architecture had completely overshadowed its competitor Gothic Revival, which was once equally as popular.

It didn't only occur in the construction of houses. Many other buildings had also underwent construction under this style. Barns, town halls, and libraries were also built using the Italianate design. It can clearly be seen in many New England cities and towns that had experienced growth during this period.

Defining Features of Italianate Architecture:
Low-pitched, hipped roof
Bracketed cornice
Balustrade balcony
Arcade porch
Cornices
Eaves
Cupolas
Pendants
Rounded arches

The first thing that all Italianate houses and buildings have is the emphasis on vertical proportions. Most Italianate houses are between two to four stories in height. Rarely is there a one story.

The windows are tall and narrow and double paned. Somewhere on the house there maybe paired windows. Over the windows there is a Roman arch or segmented arches. On one side of the house there is a bay window, a projection out of the wall that overlooks its surroundings.

The low, hipped roof further increases vertical proportions by being barely visible so that the walls will not appear to be shorter than what they are. In the center of the roof would be a tower or a cupola. This is the most prominent feature that resembles the Italian villas that Italianate architecture branched from. But only fifteen percent (15%) of these houses have the towers that represent villas.

The other prominent, dominating feature that helps to distinguish an Italianate building are the large bracketed eaves underneath the roof. They appear in a near infinite variety of styles and sizes. Usually they're paired and placed underneath a deep trim band.

The balcony is balustrade that stretches across the front of the house followed by an arcade porch that hangs over the doorway. The doorway consists of paired, asymmetrical doors lined with molding. Above them is a Roman arch just the same as the windows.

All of the Italianate houses have all of these features present in their design, but larger houses and city/town buildings will make use of more elaborated aspects such as the eaves and balustrades.

 
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